Файл:Michel Sittow - Portrait of Diego de Guevara (?) - Google Art Project.jpg

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Тлумачэнне

Міхель Зітаў: Portrait of Diego de Guevara (?)  wikidata:Q20175405 reasonator:Q20175405
Мастак
Міхель Зітаў  (circa 1469
date QS:P,+1469–00–00T00:00:00Z/9,P1480,Q5727902
–1525)  wikidata:Q372203
 
Іншыя імёны
Master Michel, Master Michiel, Michel Sitau, Michiel Sitau, Miguel Sitau, Michel Sithium, Michiel Sithium, Miguel Sithium, Michel Sittow, Miguel Sittow, Michel Sydu, Michiel Sydu, Miguel Sydu, Michel Syttow, Michiel Syttow, Miguel Syttow, Michel Zittoz, Michiel Zittoz, Miguel Zittoz, Michel Zyttow, Michiel Zyttow, Miguel Zyttow, Michiel Flamenco
Апісанне Эстонскі painter і drawer
Дата народзінаў/смерці 1459 - 1479
date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1459-00-00T00:00:00Z/9,P1326,+1479-00-00T00:00:00Z/9
21 снежня 1525 - 24 снежня 1525
date QS:P,+1525-12-00T00:00:00Z/10,P1319,+1525-12-21T00:00:00Z/11,P1326,+1525-12-24T00:00:00Z/11
Месца народзінаў/смерці Reval, today Талін Reval, today Талін
Месца творчасці
Бругэ (circa 1485-1489), Іспанія (1492-1502), Netherlands (1502-circa 1505
date QS:P,+1505-00-00T00:00:00Z/9,P1480,Q5727902
), England (1505) (?), Brabant (circa 1505
date QS:P,+1505-00-00T00:00:00Z/9,P1480,Q5727902
), Reval (1506-1525)
Нарматыўны кантроль
artist QS:P170,Q372203

Details on Google Art Project
image of artwork listed in title parameter on this page
Назва
Партрэт of Diego de Guevara (?)
Object type карціна
object_type QS:P31,Q3305213
Жанр партрэт Edit this at Wikidata
Depicted people Diego de Guevara Edit this at Wikidata
Дата circa 1515-1518
Тэхніка oil on oak wood
Памеры Вышыня: 33,6 см; шырыня: 23,7 см
dimensions QS:P2048,33.6U174728
dimensions QS:P2049,23.7U174728
institution QS:P195,Q214867
Бягучае месцазнаходжанне
не прызначаны
Асабісты нумар
1937.1.46
Гісторыя аб’екту Probably Don Diego de Guevara [d.1520], Brussels; probably heirs of Don Diego de Guevara.[1] Probably Mencía de Mendoza, Marchioness of Zenete [d. 1554], third wife of Hendrik III of Nassau and subsequently wife of Fernando de Aragon, Duke of Calabria and viceroy of Valencia, castle of Ayora, province of Valencia.[2] Infante Don Sebastián Gabriel de Borbón y Braganza [d. 1875], Pau; heirs of Don Sebastián Gabriel de Borbón y Braganza, Pau, 1876.[3] Mme. Maurer, Madrid, by 1915.[4] (Leo Blumenreich, Berlin).[5] (P. & D. Colnaghi, Ltd., London, 1929). (M. Knoedler & Co., London and New York, 1929 1930);[6] purchased March 1930 by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 28 December 1934 to The A. W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA.
  1. J.K. Steppe, "Het overbrengen van het hart van Filips de Schone van Burgos naar de Nederlanden in 1506 1507," Biekorf. Westvlaams Archief 82 (1982), 217 218, notes that there was a dispute over the estate of Don Diego because he had made two wills. The beneficiary of the first will was his half brother Pedro de Guevara and of the second his illegitimate son Felipe de Guevara, still a minor at the time of his father's death. Professor Steppe also states that the diptych now divided between Berlin and Washington was acquired by Mencía de Mendoza through the agency of Don Pedro. In a letter of 20 October 1981, Steppe notes that he has found the will of Don Diego (in NGA curatorial files; see also Steppe 1982 [as above], 214 215, n. 7). Steppe's publication of this and other documents related to Diego de Guevara and his circle is anticipated with the greatest interest by students of early sixteenth century patronage.
  2. Inventories of 1548 and 1554. Archivo del Palau, Barcelona, Marquesado del Zenete, Legajo 122, inventory of 1548, "Item, un retablico pequenyo de dos tablas; en la una esta una pintura de Nuestra Señora con su hijo en brassos y en la otra don Diego de Guevara con una ropa enforrada..., tiene la pintura todo a la redonda una orla de ora; tiene de alto la pintura media vara y de ancho las dos tres palmos e medio"; see J.K. Steppe, "Jheronimus Bosch. Bijdrage tot de historische en de ikonografische studie van zijn werk," in Jheronimus Bosch. Bijdragen bij gelegenheid van de herdendstentoonstelling te 's Hertogensbosch, (Eindhoven, 1967), 39, n. 80; and Steppe 1982 (as in n. 1 above), 218, n. 17, in which the entry from the inventory taken after Mencía's death is also quoted, "Item un retaule ab dos portes, en la una porta esta pintada la verge Maria ab son fill in los brasos y en laltra esta pintada don Diego de Guevara ab una roba forrada de pells." Apparently an artist's name was noted in these inventories only when it could be read on the work itself; see Steppe 1967, 13. These inventories have not been published in their entirety. Mencía de Mendoza's heir was Don Luis de Requesens [d. 1576].
  3. [Catalogue abrégé des tableaux exposés dans les salons de l'ancien asile de Pau appartenant aux héritiers de feu Mgr l'Infant don Sébastien de Bourbon et Bragance (Pau, 1876), 71, no. 631, as by Holbein. Catalogue located with the help of Nicole Reynaud]
  4. See Max J. Friedländer, "Ein neu erworbenes Madonnenbild im Kaiser Friedrich Museum," Amtliche Berichte aus den königl. Kunstsammlungen 36 (1915), 179; and Francisco Javier Sánchez Cantón, "El retablo de la Reina Católica," Archivo Español de Arte y Arqueología 6 (1930), 117.
  5. Max J. Friedländer, "Neues über den Meister Michiel und Juan de Flandes," Der Cicerone 21 (1929), 254.
  6. The Getty Provenance Index lists the Matthiesen Gallery as having the painting until 1928, with the remark, "Source: PI: Colnaghi's". For Colnaghi, it gives the dates of ownership as 1928 1929, remarking, "from Matthiesen; joint account; Colnaghi's bought Matthiesen's remaining half share 1929/Source: PI: joint ownership from Colnaghi's." And for Knoedler's it notes, "from Colnaghi's; joint account; sold by Knoedler's in New York/Source: PI: joint ownership from Knoedler's and Colnaghi's."|height = 336

Радок звестак аб набыцці Andrew W. Mellon Collection
Нататкі More info at museum site
Крыніцы
Крыніца/Фатограф xgGC2ScaomLuSQ at Google Cultural Institute maximum zoom level

Вікіпедыя

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Ліцэнзіяванне

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1526, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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